Album Review: The Wood Burning hSavages- Stability.

Rebel rousers, ‘The Wood Burning Savages’, released their highly anticipated album ‘Stability’ to the world on Friday the 27th of April. Persistent purveyors of punk since 2013 the band have become a relentless force of energy on the music scene. ‘Stability’ which was produced by Rocky O’Reilly in Start Together Studios, Belfast, is the band’s first full length album and follows a string of single releases.

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Opening title song ‘Stability’ is short in stretch but ferocious in nature and at just over two minutes is a sharp starting track. Bass player Dan Acheson drives the song along with lead singer Paul Connolly’s use of the words security and stability making it evidently clear the bands gritty political agenda for the rest of the album.

The anthemic ‘I Don’t Know Why I do it to Myself’ is a stark observation about the terrifyingly high rate of suicide in the Savages own hometown of Derry. Despite it’s serious nature it’s fast paced and funky while showcasing the bands ability to create stadium sized songs. ‘Purple Heart’ explores post-traumatic stress disorder and elicits a similar sentiment to other album tracks articulated through Connolly’s expressive lyrics.


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is fast and furious with a fierce riot of relentless guitars and pounding drums and one of the most intense songs on the album. Closing track ‘Freedom of Movement’ starts slow and builds in emotion and momentum. The anger and frustration in Connolly’s voice is clear as he cries “Freedom of movement well I don’t think that’s what she meant”. Capturing perfectly the unease and apprehension facing all of us in light of Brexit it is a strong and poignant track to end their album.

Passionate about inflicting real change through their music ‘The Wood Burning Savages’ album is ten-tracks of fury, anxiety, angst and rage. Attempting to not only challenge various establishments but provoke movement among one another ‘Stability’ has provided fans with their very own WBS manifesto.  While the message and themes remain wholly the same there is enough variation throughout to keep fans listening.  A triumphant debut album, ‘Stability’, is bursting with recognisable political reflections preformed with musical and lyrical conviction.

The Wood Burning Savages play the Limelight Belfast on 27th May with Wynona BleachMolly Sterling & Waldorf & Cannon.

Album Review: Susie Blue- Didn’t Mean to Care

Derry based band Susie Blue have released their highly anticipated album, ‘Didn’t Mean to Care’.  The album is a carefully crafted collection of songs which the band has been writing and playing over the past few years. The self- reflective title ‘Didn’t Mean to Care is an ode to lead singer Susan’s teenage years after coming out. Chronicling her past relationships, both bad and good, the ten tracks have come together to make a refreshingly pop centered album.

After an astonishingly successful 2017 with numerous festival appearances including Glastonbury, the quartet are on track to out-do themselves with the release of their debut album. Opening the album with ‘Lisbeth’ the song is a strong indie rock track with a certain gravitas in the lyrics as Susie sings ‘I’m not asking you to die for me, only asking if you would’. Anthemic in nature and sound ‘Lisbeth’ is sure to be a stand out song in the bands live set and is a compelling opening track. Followed by ‘She’s a Keeper’ the album moves seamlessly with Susan’s signature and tender vocal tone carrying the song to fruition.

May Ninth’ is an inspired alt-rock song with enthused and pulsating percussion keeping the vibe of the album upbeat. Having embodied the role of the angsty and troubled purveyors there is still feeling of hope throughout many of Susie Blues songs. Unafraid to put their own twist on songs or be unconventional ‘Doing My Head In’ is a bracing take on a usual love song.

Already showcasing the bands rockier side, we reach the midpoint of the album with two slower acoustic songs ‘Till You Started’ and ‘Trust Me’. The aching and hypnotic lyrics are expressed by Susan’s invigorated vocals and are a nice change of pace. The album’s title track ‘Didn’t Mean to Care’ begins cool and composed before building into a rousing and stirring chorus. The anguished lyrics which are a redeeming feature throughout are particularly poignant on this track as we hear the cry of ‘I don’t to live to keep on dying’.

 

The albums closing track ‘No Shade’ oozes pop rock melodies and is possibly my favourite on the record. An eclectic collection of songs, it is the bands passion and fervour that truly shines throughout. It is undeniable that Susie-Blue’s popularity is at its peak after securing necessary support through a successful GoFundme campaign. The band who have used their position to create a powerful dialogue with politically motivated tracks have created an important piece of music that will stand the test of time. The release of ‘Didn’t Mean to Care’ has helped to truly cement Susie Blue’s position throughout the UK and Irish music scene.

-Aine Cronin-McCartney

Shizznigh Presents: The Tragedy of Dr Hannigan, No Oil Paintings, Aidan Logan and Whale Talk.

For their third Sound of Belfast gig, Shizznigh Promotions managed to put together another sublime line-up of performers. Consisting of new and established acts for a brilliant week night expedition to the Empire it certainly motivated a lot of people to come out in full force. Starting the night off is Whale Talk who despite being a fairly new band have been making a considerable breakthrough on the NI scene. They are the perfect band to help introduce and begin the evening with delicate harmonies and casual indie vibes.

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Up next is singer-songwriter Aidan Logan who has brought a full band with him for the night. Recently returning from Nashville where Aidan spent his time writing, recording and soaking in all that Tennessee has to offer. Very charming and confident on stage, Aidan immediately attempts to build a good rapport with the audience by telling them anecdotes about his songs and travels. His song ‘Higher’ is an incredibly catchy and infectious song and is the highlight of the set. Having spent so much time in Nashville it’s evident how much Aidan has been influenced by country throughout his set while also putting his own twist on songs . Towards the end of his set Aidan takes a moment to dedicate a song to his friend Margaret who just passed away ‘Seems You Better Go’. As the rest of the band step aside it’s just Aidan and his guitar accompanied by soft and gentle piano and is a beautiful tribute.

Four piece ‘No Oil Paintings’ arrive next on stage and begin their set with ‘God Only Knows’. Lead singer Chris Kelly’s vocals sound immediately strong and powerful accompanied with George Sloan’s solid drums makes for a bold entrance from the band. Their second track ‘Cut Me’ has guitarist Sean Doone take the lead for vocals with a deeper and darker tone to his voice adding a melancholic element to the song. Finishing the set with their latest single ‘Icarus’ which the boys have also just released a video for the song begins with gorgeous harmonies. There is a really good synergy between all the members on stage and you can truly feel the connection that they not only have as musicians but as friends. The biggest triumph for any band is to be able to sound better live than they do on track and this is certainly true for No Oil Paintings.

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Finally the main act of the night, The Tragedy of Dr Hannigan takes to the stage with No Oil Paintings joining for the band’s debut gig. Inhabiting the full character of Dr Hannigan, Tony Wright appears with a top hat and long coat and it’s clear from the start that not only are we in for a musical treat but a theatrical performance as well. With so many people onstage it felt like a huge jam session was about to take place with an array of players and instruments.  Dr Hannigan’s first release ‘Hey Little Worried One’ begins with impressive harmonies before the hypnotic drum beat kicks in. There is an electric atmosphere in the Empire as the audience become increasingly more and more excited as the band continue.  

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There were points during the set that I felt as though I had been transported to a real blues bar located in Louisiana as my senses were completely overwhelmed by the incredibly funky ‘We Can’t Breathe’. Inviting Steven McCartney to the stage for the slowest song of the night ‘You the bottle and me’, Tony comes right down off the stage into the audience. Making his way over the tops of tables and across chairs it was almost as if the vigour of the crowd had carried him. Inciting the audience to begin chanting, the crowd continue to clap and foot stomp even after the band leaves the stage. Setting the bar for future performances, The Tragedy of Dr Hannigan’s first gig was a truly overwhelming and successful night for a band at any stage of their career never mind one’s debut. 

By Aine Cronin-McCartney
Photos by Ciara McMullan

Shizznigh Presents: Anto and the Echoes, Vokxen, Part-time Pilots, Les Pantalons and Darren Doherty and the Heathen Choir

As part of the continuing Sound of Belfast festivities, Shizznigh Promotions presented a showcase of up and coming local bands and acts on Friday in the Oh Yeah. A remarkably versatile and talented line up of performers, it was great to see so many fans arrive from early on to help enjoy and support the evening. Another wonderful Sound of Belfast gig it was refreshing to attend an event with acts that were not only new to myself but a few that I had been meaning to catch for a while.

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Arriving just on time to catch the last few minutes of Darren Doherty and the Heathen Choir there is an upbeat atmosphere as everyone seems excited for a night of good music. Despite what their name might suggest the heathen choir helps support Doherty’s extraordinarily melodic musical offering and I look forward to catching the band in full next time. Up next was ‘Les Pantalons’ who provided more of a jam style routine with the three of them remaining seated throughout. The very chilled and relaxed position from the band made for an easy and enjoyable performance.

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‘Part Time Pilot’s take to the Oh Yeah stage next as the audience starts to build. The bands energy and vivacious presence on stage helps to encourage audience members to gather at the front. Their great audience interaction ensures that fans are kept very interested and attentive for the whole set. Lead singer Enda Mc Crory has a very strong and alluring voice which along with their accessible rock sound has ensured that Part Time Pilots are a band worth keeping your ears open for. 

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Catchy, melodic girl group Vokxen are next to perform as they enchant the audience with their atmospheric pop sound. The group shimmers on stage with both their glittery outfits and seductive harmonies creating the perfect pop storm. The trios synth heavy sound accompanied with sweet melodies and electronic dance tunes makes Vokxen the most memorable act of the night.

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Headlining the evening was the incredibly talented Anto and the Echoes, the six-piece who have a distinct look certainly appear the part on stage. It can often be difficult waiting to go on all night especially after so many acts before them but Anto and the Echoes take it completely in their stride. Lead singer Antony Breen is certainly a confident and self-assured front man who knows how to work both a crowd and a stage. Moving effortlessly from catchy pop songs to heavier indie rock sounds serves only to highlight the bands versatility. The band carries a very positive upbeat vibe when they perform and was something that the audience certainly reacted to helping to end a very successful Sound of Belfast showcase. 

By Aine Cronin-McCartney
Photos by Carrie Davenport Photography

 

Gifted: Sister Ghost, Born Only Yesterday, The Sea, Close By and LetGo Dive- The Belfast Empire

For the second event of Sound of Belfast’s premier night, I made a quick dash over to the Empire where Gifted had put together an absolutely amazing line up. Unfortunately I missed alt rockers ‘Let Go Dive’ as I was making my way from one venue to the next but will be sure to catch them next time.

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Self described as polite rockers from Belfast ‘The Sea, Close by’ are up next and by this stage The Empire has started to fill out. Starting of their set with ‘Never Ever’ the band grow in confidence as they continue and become more relaxed throughout. After a few songs the drummer interrupts to tell the audience that bass player Kate and singer Alastair have just recently got married after originally meeting in the very venue we are standing in, ‘The Empire. Finishing off their set with ‘Humphrey’s Got a Heat Lamp’ they tease the audience briefly with the Friends theme tune before launching full force into their track and ending the set with their strongest song.

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North Coast post rock four piece ‘Born Only Yesterday’ are next to the stage. The boys who released their EP ‘The Eyes, The Heart, The Sin’ in September have been busy making their rounds on the local scene. Clearly having built up a burgeoning legion of fans there is a small crowd gathered at the front of the stage who are attentive throughout. Front man Danny McClelland is a commanding presence on stage and the band have an addictive energy with a great vibe between members. Above all Born Only Yesterday are enjoyable and fun to watch and they exude the kind of spirit that makes you want to join a band and I look forward to see what the next few months bring for them. 

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Finally finishing off the night is the ever confident Sister Ghost who assuredly take their position on stage. Lead singer Shannon O’Neil is an incredible force to be reckoned with as she navigates and leads the rest of the band with ease. Already entrenched in the NI rock scene it’s easy to see why they have become favourites with their ferocious rhythms, diverse textures and distinct delivery. With highly rhythmic, rapid paced songs and O’Neil’s vocal power and ability always make Sister Ghost a very entertaining act to watch.

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By Aine Cronin-McCartney
Photos-Bernie McAllister

Sound of Belfast: Getting to Know with Leah McFall- Oh Yeah Centre

After months of anticipation, Sound of Belfast has finally arrived and what a perfect event to start it all off, ‘Getting to Know with Leah McFall’. A festival dedicated to showcasing everything that’s great about local music Sound of Belfast also helps to provide a platform for artists, bands and performers. ‘The Getting to Know’ event which has been part of a regular series at the Oh Yeah gives artists and bands an opportunity to connect with an audience in a more personal and intimate environment. As well as performing songs the artist is able to give insights behind the writing and recording process of each track and allows the audience to become involved by asking them to participate.

For the special ‘Sound of Belfast’ edition of ‘Getting to Know’ we were treated to the remarkably talented Leah McFall. After capturing the nation’s attention with her mesmerising voice in BBC’s ‘The Voice’, Leah has spent the last few years crafting her own sound and style. Her rendition of Gloria Gaynor’s ‘I will Survive’  helped to demonstrate Leah’s powerful vocal prowess and secured her runner up in the show. Leah who released her debut six track E.P ‘Ink’ back in March is currently working on brand new material for her next record. 

The evening which was hosted by the very charming Emer Maguire made everyone feel immediately at ease as we settled in for the show. For her first song of the night Leah performed her track ‘Language’ which was very accurately described by Emer as vocal acrobatics. Starting off the discussion by asking how Leah would describe her music to someone who hasn’t heard it there is a lovely relaxed atmosphere in the room.

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Not only asking questions, Emer also provided entertainment throughout the evening with a few games. As well as involving the audience and developing a good rapport with them the games also helped us find out a bit more about Leah. Learning that Leah had not only eaten grass before but that she had also practiced kissing ‘Michael Jackson’ on his ‘Bad’ CD left everyone not only laughing but definitely feeling as though we knew her a bit better. 

With an audience of both new and older fans the crowd was transfixed for her second song of the evening, ‘Wolf Den’. The song which Leah describes as incredibly emotional and about her journey to becoming an independent artist is flooded with sentiment. The song truly emphasises Leah’s unique vocal ability as she flawlessly’s moves from one note to the next.


Leah’s final performance for the evening was an unreleased track that she has been working on ‘On My Own’ and was the perfect song to end the night. 
Emer Maguire’s completely natural sense of humor along with her charisma made the night thoroughly enjoyable. ‘Getting to Know’ is a wonderful event where you come away really feeling as if you got a personal insight to one your favourite performers. Despite, being very well known Leah was incredibly warm and open and just genuinely good craic, making it a really fun event for everyone involved.

 

Album Review: John Deery and the Heads- ‘Nothing Permanent Lasts’

Permanent fixtures of the NI music scene since their inception in 2010, John Deery and the Heads have become craftsmen of the perfect anthemic folk song. Instantly creating a buzz amongst the Irish gigging scene with their debut album Smoke and Mirrors, they have continued to generate the same thrill over the last seven years. Originally formed by lead singer John Deery who along with the addition of the Heads have accumulated a loyal legion of fans and supporters.

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Successfully launching a crowdfunding campaign earlier this year assisted the band in reaching their financial target to record their third studio album. The campaign saw over 100 people contribute to the creation of their latest album ‘Nothing Permanent Lasts’. As a lovely gesture to fans that helped support their album, the artwork features the names of every Crowdfunding supporter.

The band’s third studio album ‘Nothing Permanent Lasts’ is a wonderful journey through the bands eclectic influences which they seamlessly showcase on the ten tracks. Opening with their title track, the heartfelt lyrics supported by Deery’s gentle delivery and delicate drums makes it an impassioned and sentimental song. The high spirited anthem is accompanied by a swelling and uplifting chorus ensuring that you are left humming it days later. It is a beautiful opening track and helps to set the foundations for the rest of the album.

‘Just Kids’ is a wistful analogy on the passing of time with a yearning for everything to remain how it is. Leading the song in the shape of a poetic troubadour John Deery is a charismatic and charming front man. The insightful lyrics accompanied by soothing guitar chords make the song easy listening with undertones of a bittersweet sadness. The incredibly uplifting ‘Circles’ helps to showcase Deery’s rich vocals with gorgeous layered harmonies. It is a sophisticated song with twinkling guitar and the added instrumentation helps make it something special.

Closing their album with ‘Fall Apart (Moth into a Flame)’ it feels as though we have come full circle as the band offer us yet another consummately constructed folk song. There is strong consistency throughout the whole album with a variety of laid back and chilled out songs. ‘Nothing Permanent Lasts’ is thoroughly enjoyable throughout and is the sort of record that before you realise it you’ve got to end becoming completely immersed from start to finish.

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The bands revered stomping acoustic style and dedication to the local music scene has proved to be hugely influential and inspirational to a number of fans and critics. John Deery and the heads have managed to create a collection of songs that are both epic and intimate with personal lyrics and rousing instrumentation. With songs that are so raw and authentically fragile, ‘Nothing Permanent Lasts’ is a harmoniously and emotionally significant offering of an album.

Nothing Permanent Lasts’ will be officially released on the 30th of September 2017 with a launch event in the Nerve Centre, Derry.